Friday, 2 October 2026 · Almaty
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Saint Petersburg

A cast-bronze Olenin samovar of the early nineteenth century, with a tap in the form of an eagle's head

Aristocracy · Moscow · Museums · Mores · Saint Petersburg

A cast-bronze Olenin samovar of the early nineteenth century, with a tap in the form of an eagle's head

The samovar belonged to Alexey Nikolayevich Olenin, President of the Academy of Arts and Director of the Imperial Public Library, whose salon was among the most brilliant in Saint Petersburg. Alexander Sergeyevich Pushkin entered Olenin's salon straight from the Lyceum; here he made the acquaintance of Gnedich and

By Alexandr Radayev
Tomorrow the State Hermitage will open new halls of its permanent display “The Gallery of Peter the Great”, devoted to the era of the Empresses Anna Ioannovna and Elizabeth Petrovna and to the development of Russian art and culture during their reigns

Coming Up · Art · Monarchies · Museums · Saint Petersburg

Tomorrow the State Hermitage will open new halls of its permanent display “The Gallery of Peter the Great”, devoted to the era of the Empresses Anna Ioannovna and Elizabeth Petrovna and to the development of Russian art and culture during their reigns

The display includes paintings, jewellery, porcelain, smalt and mosaic panels, and furniture. Particular attention is paid to Mikhail Lomonosov: one of the halls will be devoted to his work and to the unique collection of smalt and mosaic panels produced at the Ust-Ruditsa factory, which Lomonosov founded. Among the

By Alexandr Radayev
The Hermitage opens the exhibition "…Look into the Eyes of Monsters…": Mythical Personifications of Terror in Antiquity and Their Conquerors

Art · Museums · Saint Petersburg

The Hermitage opens the exhibition "…Look into the Eyes of Monsters…": Mythical Personifications of Terror in Antiquity and Their Conquerors

The Hermitage has opened the exhibition "…Look into the Eyes of Monsters…": Mythical Personifications of Terror in Antiquity and Their Conquerors. Its heroes are the dreadful creatures of mythology, the monsters and chimeras that symbolised the fears surrounding the ancient Greeks and found vivid embodiment in the art

By Alexandr Radayev
Dostoevsky preferred intuitive punctuation and did not resort to the rules of orthography when placing punctuation marks

Archive · Books · People · Saint Petersburg

Dostoevsky preferred intuitive punctuation and did not resort to the rules of orthography when placing punctuation marks

Dostoevsky preferred intuitive punctuation and did not resort to the rules of orthography when placing punctuation marks. He read his manuscripts aloud and put commas wherever the intonation called for a pause. There is a curious recollection of Dostoevsky on this score by the writer and translator Varvara Timofeyeva, who

By Alexandr Radayev