Friday, 2 October 2026 · Almaty
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Heritage

Fet begged to “drive the living boat off with a single push”, to catch the fleeting before it vanishes

Archaeology · Architecture · Faith · The East · Art · Moscow · Museums · Heritage · Science · Paris · Nature · Saint Petersburg

Fet begged to “drive the living boat off with a single push”, to catch the fleeting before it vanishes

Fet begged to “drive the living boat off with a single push”, to catch the fleeting before it vanishes. The monthly digest has a more modest task, though the same one: to hold on to what matters before the flood of news washes it away. Here is the main news

By Alexandr Radayev
The heirs of the Jewish art dealer Oscar Stettiner continue to go to law over Modigliani's 1918 "Seated Man with a Cane", which they consider their rightful property, believing it to have been seized from the estate of their forebear during…

Art · Heritage · New York · Society

The heirs of the Jewish art dealer Oscar Stettiner continue to go to law over Modigliani's 1918 "Seated Man with a Cane", which they consider their rightful property, believing it to have been seized from the estate of their forebear during…

A couple of weeks ago the court ordered the present owner of the disputed painting, the art dealer David Nahmad, to return it to Stettiner's heirs. Now it has further ruled that the heirs are entitled to interest for the period preceding the judgment in the case of

By Alexandr Radayev
The vandals who tried to attach a propaganda photograph to Picasso's 1901 "Motherhood" and poured paint on the floor of the National Gallery have been found guilty of criminal damage

Art · Museums · Observations · Heritage · Society

The vandals who tried to attach a propaganda photograph to Picasso's 1901 "Motherhood" and poured paint on the floor of the National Gallery have been found guilty of criminal damage

The vandals who tried to attach a propaganda photograph to Picasso's 1901 "Motherhood" and poured paint on the floor of the National Gallery have been found guilty of criminal damage. Sentence will be passed in the autumn. It is all, of course, very stupid and dreadful,

By Alexandr Radayev
Speaking of the Syro-Hittite Iron Age temple of Ain Dara in Syria, it is famous first and foremost not as the closest known architectural parallel to the biblical Temple of Solomon, though that is a fact, but for the gigantic footprints in its stone

Archaeology · Architecture · Faith · The East · Heritage

Speaking of the Syro-Hittite Iron Age temple of Ain Dara in Syria, it is famous first and foremost not as the closest known architectural parallel to the biblical Temple of Solomon, though that is a fact, but for the gigantic footprints in its stone

Speaking of the Syro-Hittite Iron Age temple of Ain Dara in Syria, it is famous first and foremost not as the closest known architectural parallel to the biblical Temple of Solomon, though that is a fact, but for the gigantic footprints in its stone. The prints are a little

By Alexandr Radayev
A survey of 200 archaeological sites in Syria has established that in 2015-2025 59% of them were looted, 118 out of 200, almost five times more than in 2011-2016, when 26 of the 200 sites suffered

Archaeology · The East · Heritage · Society

A survey of 200 archaeological sites in Syria has established that in 2015-2025 59% of them were looted, 118 out of 200, almost five times more than in 2011-2016, when 26 of the 200 sites suffered

Traditionally, looting at these places means pits dug by hand. But they are also plundered with bulldozers, destroyed by the building of dugouts and fortifications on their territory and, finally, by camps, including refugee tents, pitched directly on archaeological sites. Mechanised looting is considered the worst form of damage, and

By Alexandr Radayev
Marc Chagall's 1924 etching L'Acrobate au violon spent twenty years in a French customs warehouse and has now been handed over to the Museum of Fine Arts and Archaeology in Besançon

Art · Museums · Heritage

Marc Chagall's 1924 etching L'Acrobate au violon spent twenty years in a French customs warehouse and has now been handed over to the Museum of Fine Arts and Archaeology in Besançon

Marc Chagall's 1924 etching L'Acrobate au violon spent twenty years in a French customs warehouse and has now been handed over to the Museum of Fine Arts and Archaeology in Besançon. In 2006 the French authorities stopped a lorry that was taking works of art out

By Alexandr Radayev
Art-crime specialist Erin Thompson explains why dozens of American museums still hold antiquities bought from Ali Aboutaam, the Geneva dealer convicted of trafficking in cultural property

Archaeology · Museums · Heritage · New York · Society

Art-crime specialist Erin Thompson explains why dozens of American museums still hold antiquities bought from Ali Aboutaam, the Geneva dealer convicted of trafficking in cultural property

Art-crime specialist Erin Thompson has explained why dozens of American museums still hold antiquities bought from Ali Aboutaam, the Geneva dealer convicted of trafficking in cultural property. Aboutaam built a scheme of shell companies and forged provenances: a restorer scrubbed freshly excavated objects with a toothbrush in an old

By Alexandr Radayev