Thursday, 8 October 2026
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Architecture

The interiors of Highclere Castle in Hampshire, ancestral seat of the Earls of Carnarvon, built in the early seventeenth century and rebuilt in 1838–1878, may be seen not only in the series "Downton Abbey", which made the castle famous, but also in the co

Aristocracy · Architecture · Cinema · Books

The interiors of Highclere Castle in Hampshire, ancestral seat of the Earls of Carnarvon, built in the early seventeenth century and rebuilt in 1838–1878, may be seen not only in the series "Downton Abbey", which made the castle famous, but also in the co

The interiors of Highclere Castle in Hampshire, ancestral seat of the Earls of Carnarvon, built in the early seventeenth century and rebuilt in 1838–1878, may be seen not only in the series "Downton Abbey", which made the castle famous, but also in the comedy film "King

By Alexandr Radayev
The Petit Trianon, built by Louis XV, blossomed under Louis XVI, when the palace passed into the ownership of Marie Antoinette, who made its interiors, poised between rococo and neoclassicism, her private retreat, where one could come only by her invitati

Architecture · Monarchies · Museums · Heritage · Paris

The Petit Trianon, built by Louis XV, blossomed under Louis XVI, when the palace passed into the ownership of Marie Antoinette, who made its interiors, poised between rococo and neoclassicism, her private retreat, where one could come only by her invitati

The Petit Trianon, built by Louis XV, blossomed under Louis XVI, when the palace passed into the ownership of Marie Antoinette, who made its interiors, poised in style between rococo and neoclassicism, her private retreat, where one could come only by her invitation. After the Revolution the palace was abandoned

By Alexandr Radayev
Studying the bas-relief of the Palais de la Porte Dorée, one notices a peculiarity shared by all the colonial figures: like the images of ancient Egypt, they face the viewer in profile, and only the allegorical figure of France, on the central axis of the

Architecture · Art · Observations · Society · Paris

Studying the bas-relief of the Palais de la Porte Dorée, one notices a peculiarity shared by all the colonial figures: like the images of ancient Egypt, they face the viewer in profile, and only the allegorical figure of France, on the central axis of the

Studying the bas-relief of the Palais de la Porte Dorée, one notices a peculiarity shared by all the colonial figures: like the images of ancient Egypt, they face the viewer in profile, and only the allegorical figure of France, on the central axis of the composition above the doorway,

By Alexandr Radayev
Whenever I recall the delightful façade of the Palais de la Porte Dorée on the edge of the Bois de Vincennes, I wonder whether mankind will ever invent anything so aesthetically flawless and inspired as the Art Deco tradition.

Architecture · Art · Observations · Paris

Whenever I recall the delightful façade of the Palais de la Porte Dorée on the edge of the Bois de Vincennes, I wonder whether mankind will ever invent anything so aesthetically flawless and inspired as the Art Deco tradition.

The building, which now houses a tropical aquarium and a museum of the history of immigration, was originally created as an exhibition space for the six-month Colonial Exhibition held in Paris in 1931. The entire façade of the Palace of the Golden Gate is covered with bas-reliefs depicting

By Alexandr Radayev