Thursday, 5 November 2026

Alexandr Radayev

Studying the bas-relief of the Palais de la Porte Dorée, one notices a peculiarity shared by all the colonial figures: like the images of ancient Egypt, they face the viewer in profile, and only the allegorical figure of France, on the central axis of the

Architecture · Art · Observations · Society · Paris

Studying the bas-relief of the Palais de la Porte Dorée, one notices a peculiarity shared by all the colonial figures: like the images of ancient Egypt, they face the viewer in profile, and only the allegorical figure of France, on the central axis of the

Studying the bas-relief of the Palais de la Porte Dorée, one notices a peculiarity shared by all the colonial figures: like the images of ancient Egypt, they face the viewer in profile, and only the allegorical figure of France, on the central axis of the composition above the doorway,

By Alexandr Radayev
Whenever I recall the delightful façade of the Palais de la Porte Dorée on the edge of the Bois de Vincennes, I wonder whether mankind will ever invent anything so aesthetically flawless and inspired as the Art Deco tradition.

Architecture · Art · Observations · Paris

Whenever I recall the delightful façade of the Palais de la Porte Dorée on the edge of the Bois de Vincennes, I wonder whether mankind will ever invent anything so aesthetically flawless and inspired as the Art Deco tradition.

The building, which now houses a tropical aquarium and a museum of the history of immigration, was originally created as an exhibition space for the six-month Colonial Exhibition held in Paris in 1931. The entire façade of the Palace of the Golden Gate is covered with bas-reliefs depicting

By Alexandr Radayev