In the Press · Cinema
Andrey Plakhov on Cannes premieres by Serebrennikov, Anderson and Ducournau
The second week of the Cannes Film Festival brought premieres of several notable films. The film critic Andrei Plakhov, in an article for Kommersant, tells of the most eagerly awaited among them. Kirill Serebrennikov's "The Disappearance of Josef Mengele" Out of competition, the festival screened Kirill