Sunday, 4 October 2026
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Moscow

Meanwhile, in the Great Wine Cellar, that is, at the Winzavod Centre for Contemporary Art, an exhibition of the nominees for the Anatoly Zverev Prize is being prepared, running from 19 October to 21 November

Coming Up · Art · Moscow

Meanwhile, in the Great Wine Cellar, that is, at the Winzavod Centre for Contemporary Art, an exhibition of the nominees for the Anatoly Zverev Prize is being prepared, running from 19 October to 21 November

Meanwhile, in the Great Wine Cellar, that is, at the Winzavod Centre for Contemporary Art, an exhibition of the nominees for the Anatoly Zverev Prize is being prepared, running from 19 October to 21 November. The photograph shows, besides the smiling gallerist Alina Pinskaya, the artist Evgeny Muzalevsky beside his

By Alexandr Radayev
The Gilyarovsky Foundation space on Stoleshnikov Lane has opened a pre-auction exhibition, One Woman and The Other; the auction itself will take place there on the evening of the 20th

Coming Up · Art · Moscow · Observations

The Gilyarovsky Foundation space on Stoleshnikov Lane has opened a pre-auction exhibition, One Woman and The Other; the auction itself will take place there on the evening of the 20th

The Gilyarovsky Foundation space on Stoleshnikov Lane has opened a pre-auction exhibition, One Woman and The Other; the auction itself will take place there on the evening of the 20th. As the title makes plain, the works are exclusively by women artists. We have already seen a few all-

By Alexandr Radayev
The Museum of Russian Impressionism has a bright, rich exhibition, Other Shores: Russian Art in New York, about the 1924 show that introduced the American public to Konchalovsky, Lentulov, Petrov-Vodkin, Polenov, Yuon, Vasnetsov…

Coming Up · Art · Moscow · Museums · New York

The Museum of Russian Impressionism has a bright, rich exhibition, Other Shores: Russian Art in New York, about the 1924 show that introduced the American public to Konchalovsky, Lentulov, Petrov-Vodkin, Polenov, Yuon, Vasnetsov…

The Museum of Russian Impressionism has a bright, rich exhibition, Other Shores: Russian Art in New York, about the 1924 show that introduced the American public to Konchalovsky, Lentulov, Petrov-Vodkin, Polenov, Yuon, Vasnetsov, Kustodiev, Arkhipov, Larionov, Grabar, Saryan and other outstanding names of Russian art. It was not the

By Alexandr Radayev
The Coat of Arms of the Russian Empire Made of Insects, 1842, Presented by an Author from Slovenia to His Colleagues, the Moscow Naturalists

Art · Monarchies · Moscow · Museums · Science · Nature · Humour

The Coat of Arms of the Russian Empire Made of Insects, 1842, Presented by an Author from Slovenia to His Colleagues, the Moscow Naturalists

Over the long years the picture has been restored more than once, and by our day all the insects, originally natives of the Illyrian Provinces, have been replaced by insects born, lived and died on Russian soil. One might say that this curious heraldic trinket has, in the end, become

By Alexandr Radayev
Alexander Chubaryan, Academician of the Russian Academy of Sciences; Ramzan Kadyrov, Academician of the Russian Academy of Natural Sciences; and Karen Shakhnazarov, Academician of the National Academy of Motion Picture Arts

Moscow · Science · Society · Humour

Alexander Chubaryan, Academician of the Russian Academy of Sciences; Ramzan Kadyrov, Academician of the Russian Academy of Natural Sciences; and Karen Shakhnazarov, Academician of the National Academy of Motion Picture Arts

Alexander Chubaryan, Academician of the Russian Academy of Sciences; Ramzan Kadyrov, Academician of the Russian Academy of Natural Sciences; and Karen Shakhnazarov, Academician of the National Academy of Motion Picture Arts. A photograph from the Kremlin reception held in November 2019, on the day the Prize for the Strengthening of

By Alexandr Radayev
The artist Vladimir Seleznev, in the company of the curator Vladislav Efimov, talks about his project "Oseyev", devoted to an invented utopian metropolis, the result of uncontrolled standardised building on urban land, which proved to be unwanted and fell

Coming Up · Architecture · Art · Moscow · Observations

The artist Vladimir Seleznev, in the company of the curator Vladislav Efimov, talks about his project "Oseyev", devoted to an invented utopian metropolis, the result of uncontrolled standardised building on urban land, which proved to be unwanted and fell

The artist Vladimir Seleznev, in the company of the curator Vladislav Efimov, talks about his project "Oseyev", devoted to an invented utopian metropolis, the result of uncontrolled standardised building on urban land, which proved to be unwanted and fell into decline. Seleznev problematises the frenzied mass construction in

By Alexandr Radayev