Thursday, 8 October 2026
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Books

As for the images from "Quiet Flows the Don", I was reminded of Ulyana Sergeenko's 2019 collection, which was inspired precisely by this screen adaptation of the novel

NB! · Cinema · Books · Observations · Pop Culture · Ethnography

As for the images from "Quiet Flows the Don", I was reminded of Ulyana Sergeenko's 2019 collection, which was inspired precisely by this screen adaptation of the novel

As for the images from "Quiet Flows the Don", I was reminded of Ulyana Sergeenko's 2019 collection, which was inspired precisely by this screen adaptation of the novel. One can make out lace masks, prints on fabric with steppe landscapes, and headscarves

By Alexandr Radayev

Books · Observations · Society

There will yet be accusations against the author from so-called patriots, who sit quietly in their corners occupied with wholly unrelated affairs, piling up little fortunes and arranging their own fate at the expense of others; but the moment something ha

There will yet be accusations against the author from so-called patriots, who sit quietly in their corners occupied with wholly unrelated affairs, piling up little fortunes and arranging their own fate at the expense of others; but the moment something happens that they consider offensive to the fatherland, some

By Alexandr Radayev
An allegorical portrait of Dante, painted in 1532‒1533 by the Medici court artist Agnolo Bronzino, will be on show in Moscow at the Voznesensky Centre until 20 February, in an exhibition curated by the Pushkin Museum's chief research fellow Victoria Marko

Coming Up · Art · Books · Moscow · Museums

An allegorical portrait of Dante, painted in 1532‒1533 by the Medici court artist Agnolo Bronzino, will be on show in Moscow at the Voznesensky Centre until 20 February, in an exhibition curated by the Pushkin Museum's chief research fellow Victoria Marko

An allegorical portrait of Dante, painted in 1532‒1533 by the Medici court artist Agnolo Bronzino, will be on show in Moscow at the Voznesensky Centre until 20 February, in an exhibition curated by the Pushkin Museum's chief research fellow Victoria Markova. The painting, which was considered lost

By Alexandr Radayev