An allegorical portrait of Dante, painted in 1532‒1533 by the Medici court artist Agnolo Bronzino, will be on show in Moscow at the Voznesensky Centre until 20 February, in an exhibition curated by the Pushkin Museum's chief research fellow Victoria Marko

An allegorical portrait of Dante, painted in 1532‒1533 by the Medici court artist Agnolo Bronzino, will be on show in Moscow at the Voznesensky Centre until 20 February, in an exhibition curated by the Pushkin Museum's chief research fellow Victoria Markova. The painting, which was considered lost until 1999, was acquired in 2020 by the Leonid Boguslavsky Foundation and has already managed to visit the Metropolitan Museum of Art in New York and the Hermitage.

In the portrait Dante holds a manuscript of the Divine Comedy, open at a page with a passage from Canto XXV of Paradiso:

«With other voice, with other fleece, I shall
Return a poet, and at my baptismal font
Take the crown…»

With his right hand Dante points to Florence, awakening from the darkness, with the cathedral of Santa Maria del Fiore; beneath his hand the flames of hell blaze, while in the sky a sun rises, illuminating the mountain of purgatory and the spheres of heavenly paradise.

Report a translation error

At the close of the Strugatskys' "Roadside Picnic" the Golden Sphere is asked for this: "Happiness for everybody, free, and let nobody go away unsatisfied!" I do not promise to leave no one aggrieved, but the digest really does come free

At the close of the Strugatskys' "Roadside Picnic" the Golden Sphere is asked for this: "Happiness for everybody, free, and let nobody go away unsatisfied!" I do not promise to leave no one aggrieved, but the digest really does come free. So, here is the

Frederic Leighton

Frederic Leighton. “Daedalus and Icarus”, 1869 Daedalus warns his son not to climb too high: the heat of the sun may melt the wax, but Icarus is already gazing into the distance, and the lamentations of a foolish old man interest him not in the least

An allegorical portrait of Dante, painted in 1532‒1533 by the Medici court artist Agnolo Bronzino, will be on show in Moscow at the Voznesensky Centre until 20 February, in an exhibition curated by the Pushkin Museum's chief research fellow Victoria Marko

Read more

At the close of the Strugatskys' "Roadside Picnic" the Golden Sphere is asked for this: "Happiness for everybody, free, and let nobody go away unsatisfied!" I do not promise to leave no one aggrieved, but the digest really does come free

Frederic Leighton

Attempts to resolve the problems of many years of uncontrolled mass migration

Characters from Gogol's "Petersburg Tales" on the pedestal of the monument to Nikolai Gogol on Nikitsky Boulevard, photograph of the 1960s