Wednesday, 7 October 2026
Section · 1208 stories

Architecture

This angular, ungainly concrete building, propped up by a single massive pier, is the Chapel of Saint Hildegard in Düsseldorf, built in 1962-1970 to a design by Gottfried Böhm

Architecture · Faith

This angular, ungainly concrete building, propped up by a single massive pier, is the Chapel of Saint Hildegard in Düsseldorf, built in 1962-1970 to a design by Gottfried Böhm

No decoration, no refinements, just bare concrete. Only a barely protruding bell tower slightly disturbs the Brutalist gloom of the concrete pile. The design echoes a number of other works by the famous architect, whose arsenal includes many churches that would serve perfectly well in the universe of "Mad

By Alexandr Radayev
The marble staircase of the main building of the Pushkin State Museum of Fine Arts is called the pink staircase, after the colour of the marble with which it is faced

NB! · Architecture · Moscow · Museums

The marble staircase of the main building of the Pushkin State Museum of Fine Arts is called the pink staircase, after the colour of the marble with which it is faced

The marble staircase of the main building of the Pushkin State Museum of Fine Arts is called the pink staircase, after the colour of the marble with which it is faced. The variegated marbles used to finish the staircase were brought from Hungary, and the stone was purchased by the

By Alexandr Radayev
Carlo Scarpa's design for the 1953 exhibition of the Sicilian Renaissance painter Antonello da Messina entered the golden fund of exhibition architecture

Archive · Architecture · Art · Museums

Carlo Scarpa's design for the 1953 exhibition of the Sicilian Renaissance painter Antonello da Messina entered the golden fund of exhibition architecture

Carlo Scarpa's design for the 1953 exhibition of the Sicilian Renaissance painter Antonello da Messina entered the golden fund of exhibition architecture. Scarpa draped the rooms of the Palazzo Zanca in multicoloured cotton cloths, concealing walls, floors and every scrap of decoration, and leaving only niches for the

By Alexandr Radayev