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Ekaterina Dolgorukaya's study on the English Embankment in Saint Petersburg, 1876

Aristocracy · Archive · Monarchies · Mores · Saint Petersburg

Ekaterina Dolgorukaya's study on the English Embankment in Saint Petersburg, 1876

Interior of the study of Ekaterina Mikhailovna Dolgorukaya, the first Most Serene Princess Yuryevskaya, in her house on the English Embankment in Saint Petersburg. Photograph of 1876. Princess Ekaterina Mikhailovna Dolgorukova (Dolgorukaya), from 1880 Most Serene Princess Yuryevskaya (1847 to 1922), was the second, morganatic, wife of Emperor Alexander II;

By Alexandr Radayev
The most interesting historical angle is a view of the universe in which Bulgakov's (let us not forget this, for all the charm of Leonid Gaidai) inventor-engineer Timofeev, and Nikolai Ivanovich rather than Alexander…

Cinema · Books · Pop Culture · Humour

The most interesting historical angle is a view of the universe in which Bulgakov's (let us not forget this, for all the charm of Leonid Gaidai) inventor-engineer Timofeev, and Nikolai Ivanovich rather than Alexander…

The most interesting historical angle is a view of the universe in which Bulgakov's (let us not forget this, for all the charm of Leonid Gaidai) inventor-engineer Timofeev, and Nikolai Ivanovich rather than Alexander Sergeyevich, upon inventing the time machine, meets the Briton Doctor Who. Naturally, it

By Alexandr Radayev
A drawing by the Greek artist Alekos Fassianos recalled Anna Romanova's exhibition "Argonauts of the Underground" at the Voznesensky Centre, with its linear graphic art of the 1950s and 60s, featuring works by Soosteri, Sobolev, Yakovlev, Sidur, Matisse a

Art · Moscow · Museums · Observations

A drawing by the Greek artist Alekos Fassianos recalled Anna Romanova's exhibition "Argonauts of the Underground" at the Voznesensky Centre, with its linear graphic art of the 1950s and 60s, featuring works by Soosteri, Sobolev, Yakovlev, Sidur, Matisse a

A drawing by the Greek artist Alekos Fassianos recalled Anna Romanova's exhibition "Argonauts of the Underground" at the Voznesensky Centre, with its linear graphic art of the 1950s and 60s, featuring works by Soosteri, Sobolev, Yakovlev, Sidur, Matisse and Picasso. The exhibition was three years ago,

By Alexandr Radayev
René Guénon on buddhi as the perception of the transcendent and his life in Cairo

Faith · The East · Books · Observations · Science · People · Humour

René Guénon on buddhi as the perception of the transcendent and his life in Cairo

René Guénon writes that "intellect" once meant the perception of transcendent realities, and introduces the Sanskrit term buddhi, all but forgotten in the West. He explains that buddhi is the faculty of glimpsing another world, whose traces appear in the soul as intellectual intuitions. Apparently, the term is

By Alexandr Radayev