Friday, 2 October 2026 · Almaty
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Society

EU commissioners for culture and democracy speak out against Russia's participation in the Venice Biennale: in their view, it runs counter to the EU's anti-Russian sanctions regime

Art · Society

EU commissioners for culture and democracy speak out against Russia's participation in the Venice Biennale: in their view, it runs counter to the EU's anti-Russian sanctions regime

Russia plans to present at the Venice Biennale a project entitled "The Tree Is Rooted in Heaven", to be staged in its national pavilion. Blackmailing the Biennale, the European Commission has threatened to strip it of a €2 million grant should Russia nonetheless go ahead with its project.

By Alexandr Radayev
In Armenia, a monumental complex with a statue of Jesus Christ, planned to be one of the tallest in the world, is due to rise on the summit of Mount Ates by the end of 2026

Archaeology · Architecture · Faith · The East · Heritage · Society

In Armenia, a monumental complex with a statue of Jesus Christ, planned to be one of the tallest in the world, is due to rise on the summit of Mount Ates by the end of 2026

In Armenia, a monumental complex with a statue of Jesus Christ, planned to be one of the tallest in the world, is due to rise on the summit of Mount Ates, some 30 km from Yerevan, by the end of 2026. The statue itself will stand 33 metres high, and

By Alexandr Radayev
An interesting episode from the early history of copyright is connected with these frescoes of the Montauto Chapel, or Chapel of San Girolamo, painted in the 1560s by the young artist Alessandro Allori

Art · Society · People

An interesting episode from the early history of copyright is connected with these frescoes of the Montauto Chapel, or Chapel of San Girolamo, painted in the 1560s by the young artist Alessandro Allori

An interesting episode from the early history of copyright is connected with these frescoes of the Montauto Chapel, or Chapel of San Girolamo, painted in the 1560s by the young artist Alessandro Allori. Having completed the decoration, Allori confessed that he had borrowed the images for it from Michelangelo, who

By Alexandr Radayev