Saturday, 24 October 2026

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Orest Adamovich Kiprensky, already a very celebrated artist in Russia (1805: Large Gold Medal for the painting “Dmitry Donskoy on the Field of Kulikovo”; 1812: academician; his contemporaries called him the Russian Van Dyck), lived for long stretches in R

Art · Mores · People · Rome

Orest Adamovich Kiprensky, already a very celebrated artist in Russia (1805: Large Gold Medal for the painting “Dmitry Donskoy on the Field of Kulikovo”; 1812: academician; his contemporaries called him the Russian Van Dyck), lived for long stretches in R

Orest Adamovich Kiprensky, already a very celebrated artist in Russia (1805: Large Gold Medal for the painting “Dmitry Donskoy on the Field of Kulikovo”; 1812: academician; his contemporaries called him the Russian Van Dyck), lived for long stretches in Rome, which he first reached in 1816, at the age of

By Alexandr Radayev

Archive · Faith · Science · Mores · People

Mikhail Vasilyevich Lomonosov Makes a Most Unexpected Connection Between the Easter Festivities and a Rise in Mortality

Mikhail Vasilyevich Lomonosov makes a most unexpected connection between the Easter festivities and a rise in mortality. In one of his letters to Ivan Ivanovich Shuvalov, written in 1761, speaking of Easter, Lomonosov describes the dangers to life and the multitude of deaths that overtake the Orthodox people every year.

By Alexandr Radayev
On Monday we went to the Alina Pinsky Gallery to see the True Colours exhibition, and I am still under the spell of its play with colour; I deliberately tried to catch several rooms in a single frame, to show the dialogue across the white walls between…

Coming Up · Art · Observations

On Monday we went to the Alina Pinsky Gallery to see the True Colours exhibition, and I am still under the spell of its play with colour; I deliberately tried to catch several rooms in a single frame, to show the dialogue across the white walls between…

On Monday we went to the Alina Pinsky Gallery to see the True Colours exhibition, and I am still under the spell of its play with colour; I deliberately tried to catch several rooms in a single frame, to show the dialogue across the white walls between dissimilar but equally

By Alexandr Radayev