Saturday, 3 October 2026

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Art · Observations · Science · Society

An article in the journal of the American Psychological Association examines how accusing an artist of a crime changes the public's attitude to his works

Participants in the experiment were asked to assess a work of art, then told that its author stood accused of one crime or another, and asked to assess the work afresh, being asked along the way whether the display of this work ought to be restricted. The upshot was that

By Alexandr Radayev
The heirs of the Jewish art dealer Oscar Stettiner continue to go to law over Modigliani's 1918 "Seated Man with a Cane", which they consider their rightful property, believing it to have been seized from the estate of their forebear during…

Art · Heritage · New York · Society

The heirs of the Jewish art dealer Oscar Stettiner continue to go to law over Modigliani's 1918 "Seated Man with a Cane", which they consider their rightful property, believing it to have been seized from the estate of their forebear during…

A couple of weeks ago the court ordered the present owner of the disputed painting, the art dealer David Nahmad, to return it to Stettiner's heirs. Now it has further ruled that the heirs are entitled to interest for the period preceding the judgment in the case of

By Alexandr Radayev
In early September 2025 the US State Department, which is responsible for the American pavilion, formally notified the curator John Ravenal that his project with the artist Robert Lazzarini had been selected for the Venice Biennale

Art · Museums · Society

In early September 2025 the US State Department, which is responsible for the American pavilion, formally notified the curator John Ravenal that his project with the artist Robert Lazzarini had been selected for the Venice Biennale

In early September 2025 the US State Department, which is responsible for the American pavilion, formally notified the curator John Ravenal that his project with the artist Robert Lazzarini had been selected for the Venice Biennale. The project was called History Maker, and its institutional partner and sponsor was the

By Alexandr Radayev
The vandals who tried to attach a propaganda photograph to Picasso's 1901 "Motherhood" and poured paint on the floor of the National Gallery have been found guilty of criminal damage

Art · Museums · Observations · Heritage · Society

The vandals who tried to attach a propaganda photograph to Picasso's 1901 "Motherhood" and poured paint on the floor of the National Gallery have been found guilty of criminal damage

The vandals who tried to attach a propaganda photograph to Picasso's 1901 "Motherhood" and poured paint on the floor of the National Gallery have been found guilty of criminal damage. Sentence will be passed in the autumn. It is all, of course, very stupid and dreadful,

By Alexandr Radayev