Incidentally, most skeletons on display in museums are reconstructed from one or two fragments

Incidentally, most skeletons on display in museums are reconstructed from one or two fragments. The originally supposed shape of these models depended solely on the imagination of their author: the first palaeontologists dreamed up improbable Loch Ness monsters and flying brontosaurs. Not infrequently, when checked, exhibits created 100 years ago turn out to be fakes, built upon, for example, the shin bone of a nineteenth-century cow or the scattered skeleton of a dog

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At the close of the Strugatskys' "Roadside Picnic" the Golden Sphere is asked for this: "Happiness for everybody, free, and let nobody go away unsatisfied!" I do not promise to leave no one aggrieved, but the digest really does come free

At the close of the Strugatskys' "Roadside Picnic" the Golden Sphere is asked for this: "Happiness for everybody, free, and let nobody go away unsatisfied!" I do not promise to leave no one aggrieved, but the digest really does come free. So, here is the

Frederic Leighton

Frederic Leighton. “Daedalus and Icarus”, 1869 Daedalus warns his son not to climb too high: the heat of the sun may melt the wax, but Icarus is already gazing into the distance, and the lamentations of a foolish old man interest him not in the least

Incidentally, most skeletons on display in museums are reconstructed from one or two fragments

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At the close of the Strugatskys' "Roadside Picnic" the Golden Sphere is asked for this: "Happiness for everybody, free, and let nobody go away unsatisfied!" I do not promise to leave no one aggrieved, but the digest really does come free

Frederic Leighton

Attempts to resolve the problems of many years of uncontrolled mass migration

Characters from Gogol's "Petersburg Tales" on the pedestal of the monument to Nikolai Gogol on Nikitsky Boulevard, photograph of the 1960s