Matisse's Watercolour Sketch for The Red Studio at the Unknown Shchukin Exhibition

Beside Matisse's "Pink Studio" at the Pushkin Museum's new exhibition "The Unknown Shchukin" hangs a watercolour sketch of the painting "The Red Studio", which he enclosed in a letter to Shchukin, counting on the collector's support. Shchukin could now have hung the two Matisse studios side by side, the pink and the red, and produced a quite extraordinary effect. But Shchukin declined to acquire the canvas. The owner of "The Red Studio" became the Briton David Tennant, and after him the MoMA. Matisse's watercolour of the red studio has been hung on a red panel matching the size of the painting itself

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September digest: archaeological finds, exhibitions, museums, theatre and the Church

In the finale of the Strugatskys' Roadside Picnic, the Golden Ball is told: "Happiness for everybody, free, and let nobody go away unsatisfied!" I do not promise to offend nobody, but the digest really does come free of charge. So, here is the main business of the

Frederic Leighton

Frederic Leighton. “Daedalus and Icarus”, 1869 Daedalus warns his son not to climb too high: the heat of the sun may melt the wax, but Icarus is already gazing into the distance, and the lamentations of a foolish old man interest him not in the least

Matisse's Watercolour Sketch for The Red Studio at the Unknown Shchukin Exhibition

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September digest: archaeological finds, exhibitions, museums, theatre and the Church

Frederic Leighton

Attempts to resolve the problems of many years of uncontrolled mass migration

Characters from Gogol's "Petersburg Tales" on the pedestal of the monument to Nikolai Gogol on Nikitsky Boulevard, photograph of the 1960s