On citing Foucault as absolute truth and on the humanities as interpretation

First of all, my regards to all those who so love to cite Foucault, apropos of anything and nothing, as the last word in truth. It is curious that it is mostly people acquainted with just one of his books, "Discipline and Punish", who do so.

Secondly, it is high time to grasp that any reflection in the field of the humanities is, one way or another, merely an opinion or an interpretation of certain information.

And thirdly, I very much liked the phrase "I really don't care how many doctoral dissertations this fact destroys".

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September digest: archaeological finds, exhibitions, museums, theatre and the Church

In the finale of the Strugatskys' Roadside Picnic, the Golden Ball is told: "Happiness for everybody, free, and let nobody go away unsatisfied!" I do not promise to offend nobody, but the digest really does come free of charge. So, here is the main business of the

Frederic Leighton

Frederic Leighton. “Daedalus and Icarus”, 1869 Daedalus warns his son not to climb too high: the heat of the sun may melt the wax, but Icarus is already gazing into the distance, and the lamentations of a foolish old man interest him not in the least

On citing Foucault as absolute truth and on the humanities as interpretation

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September digest: archaeological finds, exhibitions, museums, theatre and the Church

Frederic Leighton

Attempts to resolve the problems of many years of uncontrolled mass migration

Characters from Gogol's "Petersburg Tales" on the pedestal of the monument to Nikolai Gogol on Nikitsky Boulevard, photograph of the 1960s