Leonid Tskhe's exhibition "Capriccio", on the theme of embraces, has opened at the Vladey gallery on Neglinnaya

Leonid Tskhe's exhibition "Capriccio", on the theme of embraces, has opened at the Vladey gallery on Neglinnaya. Most of Leonid Tskhe's works have no subject, yet in the paintings of the Capriccio series one can indeed make out both a Pietà and a Descent from the Cross. In Tskhe's painting the emphasis falls on composition, depth of tone and space, and on their interplay with silhouettes.

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At the close of the Strugatskys' "Roadside Picnic" the Golden Sphere is asked for this: "Happiness for everybody, free, and let nobody go away unsatisfied!" I do not promise to leave no one aggrieved, but the digest really does come free

At the close of the Strugatskys' "Roadside Picnic" the Golden Sphere is asked for this: "Happiness for everybody, free, and let nobody go away unsatisfied!" I do not promise to leave no one aggrieved, but the digest really does come free. So, here is the

Frederic Leighton

Frederic Leighton. “Daedalus and Icarus”, 1869 Daedalus warns his son not to climb too high: the heat of the sun may melt the wax, but Icarus is already gazing into the distance, and the lamentations of a foolish old man interest him not in the least

Leonid Tskhe's exhibition "Capriccio", on the theme of embraces, has opened at the Vladey gallery on Neglinnaya

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At the close of the Strugatskys' "Roadside Picnic" the Golden Sphere is asked for this: "Happiness for everybody, free, and let nobody go away unsatisfied!" I do not promise to leave no one aggrieved, but the digest really does come free

Frederic Leighton

Attempts to resolve the problems of many years of uncontrolled mass migration

Characters from Gogol's "Petersburg Tales" on the pedestal of the monument to Nikolai Gogol on Nikitsky Boulevard, photograph of the 1960s