Author compares Olympic closing ceremony with Assassin's Creed and the opening ceremony

The dreadful symbolism of the closing of the Olympic diabolerie, which looks like a cult ritual disguised as sketches from Assassin's Creed (Ubisoft, after all, is a French company), is on the whole in perfect harmony with the Horseman of the Apocalypse and the other occult scenes of its opening. The Olympic flame is extinguished; the sacrificial cauldron of ideology blazes

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September digest: archaeological finds, exhibitions, museums, theatre and the Church

In the finale of the Strugatskys' Roadside Picnic, the Golden Ball is told: "Happiness for everybody, free, and let nobody go away unsatisfied!" I do not promise to offend nobody, but the digest really does come free of charge. So, here is the main business of the

Frederic Leighton

Frederic Leighton. “Daedalus and Icarus”, 1869 Daedalus warns his son not to climb too high: the heat of the sun may melt the wax, but Icarus is already gazing into the distance, and the lamentations of a foolish old man interest him not in the least

Author compares Olympic closing ceremony with Assassin's Creed and the opening ceremony

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September digest: archaeological finds, exhibitions, museums, theatre and the Church

Frederic Leighton

Attempts to resolve the problems of many years of uncontrolled mass migration

Characters from Gogol's "Petersburg Tales" on the pedestal of the monument to Nikolai Gogol on Nikitsky Boulevard, photograph of the 1960s