Mikhail Nesterov's "Tsarevna": a masterly embodiment of the Russian winter and a lament for a beloved wife

Mikhail Nesterov's "Tsarevna" is a masterly embodiment of the Russian winter and a lament for a beloved wife. Nesterov painted this picture in memory of his late wife, giving his heroine the eyes and the expression of the woman he loved. That is why the tsarevna stands in a snow-covered cemetery. Yet a star burns on her brow, and in it we read a certain warm hope and even joy: it is believed that the artist endowed the picture both with the motifs of grief for his wife and with the signs of the miracle of his daughter's birth.

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At the close of the Strugatskys' "Roadside Picnic" the Golden Sphere is asked for this: "Happiness for everybody, free, and let nobody go away unsatisfied!" I do not promise to leave no one aggrieved, but the digest really does come free

At the close of the Strugatskys' "Roadside Picnic" the Golden Sphere is asked for this: "Happiness for everybody, free, and let nobody go away unsatisfied!" I do not promise to leave no one aggrieved, but the digest really does come free. So, here is the

Frederic Leighton

Frederic Leighton. “Daedalus and Icarus”, 1869 Daedalus warns his son not to climb too high: the heat of the sun may melt the wax, but Icarus is already gazing into the distance, and the lamentations of a foolish old man interest him not in the least

Mikhail Nesterov's "Tsarevna": a masterly embodiment of the Russian winter and a lament for a beloved wife

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At the close of the Strugatskys' "Roadside Picnic" the Golden Sphere is asked for this: "Happiness for everybody, free, and let nobody go away unsatisfied!" I do not promise to leave no one aggrieved, but the digest really does come free

Frederic Leighton

Attempts to resolve the problems of many years of uncontrolled mass migration

Characters from Gogol's "Petersburg Tales" on the pedestal of the monument to Nikolai Gogol on Nikitsky Boulevard, photograph of the 1960s