I was leafing through an album of photographs of 1930s Moscow and came upon a picture of Theatre Square decked out for May Day with outline models of tractors and ploughs

I was leafing through an album of photographs of 1930s Moscow and came upon a picture of Theatre Square decked out for May Day with outline models of tractors and ploughs. You know, for all the naivety and artlessness of such agitational dressing of urban spaces, it looks far better than what is done nowadays: compare it with the Metro carriage in front of the Manege. As they say, a strong aura and a weak one

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At the close of the Strugatskys' "Roadside Picnic" the Golden Sphere is asked for this: "Happiness for everybody, free, and let nobody go away unsatisfied!" I do not promise to leave no one aggrieved, but the digest really does come free

At the close of the Strugatskys' "Roadside Picnic" the Golden Sphere is asked for this: "Happiness for everybody, free, and let nobody go away unsatisfied!" I do not promise to leave no one aggrieved, but the digest really does come free. So, here is the

Frederic Leighton

Frederic Leighton. “Daedalus and Icarus”, 1869 Daedalus warns his son not to climb too high: the heat of the sun may melt the wax, but Icarus is already gazing into the distance, and the lamentations of a foolish old man interest him not in the least

I was leafing through an album of photographs of 1930s Moscow and came upon a picture of Theatre Square decked out for May Day with outline models of tractors and ploughs

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At the close of the Strugatskys' "Roadside Picnic" the Golden Sphere is asked for this: "Happiness for everybody, free, and let nobody go away unsatisfied!" I do not promise to leave no one aggrieved, but the digest really does come free

Frederic Leighton

Attempts to resolve the problems of many years of uncontrolled mass migration

Characters from Gogol's "Petersburg Tales" on the pedestal of the monument to Nikolai Gogol on Nikitsky Boulevard, photograph of the 1960s