Carl Bergsten's Swedish pavilion at the 1925 exhibition that gave Art Deco its name

The Swedish Pavilion, built by Carl Bergsten, at the 1925 International Exhibition of Modern Decorative and Industrial Arts. It was the very title of this exhibition that gave the Art Deco style its name: from “arts décoratifs” in Exposition internationale des arts décoratifs et industriels modernes

Report a translation error

September digest: archaeological finds, exhibitions, museums, theatre and the Church

In the finale of the Strugatskys' Roadside Picnic, the Golden Ball is told: "Happiness for everybody, free, and let nobody go away unsatisfied!" I do not promise to offend nobody, but the digest really does come free of charge. So, here is the main business of the

Frederic Leighton

Frederic Leighton. “Daedalus and Icarus”, 1869 Daedalus warns his son not to climb too high: the heat of the sun may melt the wax, but Icarus is already gazing into the distance, and the lamentations of a foolish old man interest him not in the least

Carl Bergsten's Swedish pavilion at the 1925 exhibition that gave Art Deco its name

Read more

September digest: archaeological finds, exhibitions, museums, theatre and the Church

Frederic Leighton

Attempts to resolve the problems of many years of uncontrolled mass migration

Characters from Gogol's "Petersburg Tales" on the pedestal of the monument to Nikolai Gogol on Nikitsky Boulevard, photograph of the 1960s