The Russian Museum shows Deineka's monumental panels for the first time in 50 years at the exhibition "Alexander Deineka

The Russian Museum has shown Deineka's monumental panels for the first time in 50 years at the exhibition "Alexander Deineka. Singer of the New Life". The project is timed to coincide with the 125th anniversary of the eminent Soviet artist.

The exhibition presents about 90 works from the Russian Museum's collection. Of particular value are the large-format mosaics "Morning" and "Hockey Players", restored by conservators especially for the exhibition.

The exhibition will run until 14 April

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At the close of the Strugatskys' "Roadside Picnic" the Golden Sphere is asked for this: "Happiness for everybody, free, and let nobody go away unsatisfied!" I do not promise to leave no one aggrieved, but the digest really does come free

At the close of the Strugatskys' "Roadside Picnic" the Golden Sphere is asked for this: "Happiness for everybody, free, and let nobody go away unsatisfied!" I do not promise to leave no one aggrieved, but the digest really does come free. So, here is the

Frederic Leighton

Frederic Leighton. “Daedalus and Icarus”, 1869 Daedalus warns his son not to climb too high: the heat of the sun may melt the wax, but Icarus is already gazing into the distance, and the lamentations of a foolish old man interest him not in the least

The Russian Museum shows Deineka's monumental panels for the first time in 50 years at the exhibition "Alexander Deineka

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At the close of the Strugatskys' "Roadside Picnic" the Golden Sphere is asked for this: "Happiness for everybody, free, and let nobody go away unsatisfied!" I do not promise to leave no one aggrieved, but the digest really does come free

Frederic Leighton

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