Works by Jean-Michel Othoniel in Avignon

Yes, this is the same contemporary artist whose chandelier of multicoloured glass beads hangs in the Petit Palais in Paris; his style is instantly recognisable.

At present, works by Othoniel are on show in all the museums and historic sights of Avignon. I cannot recall a comparable exhibition in history. The project is called "The Cosmos of Othoniel, or Ghosts of Love". In essence, it is a large-scale solo exhibition by a single artist across an entire city, and not a series of one-off interventions in various locations.

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At the close of the Strugatskys' "Roadside Picnic" the Golden Sphere is asked for this: "Happiness for everybody, free, and let nobody go away unsatisfied!" I do not promise to leave no one aggrieved, but the digest really does come free

At the close of the Strugatskys' "Roadside Picnic" the Golden Sphere is asked for this: "Happiness for everybody, free, and let nobody go away unsatisfied!" I do not promise to leave no one aggrieved, but the digest really does come free. So, here is the

Frederic Leighton

Frederic Leighton. “Daedalus and Icarus”, 1869 Daedalus warns his son not to climb too high: the heat of the sun may melt the wax, but Icarus is already gazing into the distance, and the lamentations of a foolish old man interest him not in the least

Works by Jean-Michel Othoniel in Avignon

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At the close of the Strugatskys' "Roadside Picnic" the Golden Sphere is asked for this: "Happiness for everybody, free, and let nobody go away unsatisfied!" I do not promise to leave no one aggrieved, but the digest really does come free

Frederic Leighton

Attempts to resolve the problems of many years of uncontrolled mass migration

Characters from Gogol's "Petersburg Tales" on the pedestal of the monument to Nikolai Gogol on Nikitsky Boulevard, photograph of the 1960s