The furnishings from Tutankhamun's tomb are, for me, among the most powerful aesthetic experiences. It is scarcely credible that this dates from the 1300s BC. I can quite easily picture the golden couches in the form of lions and bulls, the heads of the celestial cow, the chests, the statues and the Nile barques sailing straight into the most modern of interiors.
In the finale of the Strugatskys' Roadside Picnic, the Golden Ball is told: "Happiness for everybody, free, and let nobody go away unsatisfied!" I do not promise to offend nobody, but the digest really does come free of charge. So, here is the main business of the
Frederic Leighton. “Daedalus and Icarus”, 1869 Daedalus warns his son not to climb too high: the heat of the sun may melt the wax, but Icarus is already gazing into the distance, and the lamentations of a foolish old man interest him not in the least
