The cover of Bauhaus's debut single Bela Lugosi's Dead: a still from the 1926 film The Sorrows of Satan, an adaptation of the incredibly popular mystical novel of the same name by the English writer Marie Corelli, naturally, about a pact with the devil…

The cover of Bauhaus's debut single Bela Lugosi's Dead: a still from the 1926 film The Sorrows of Satan, an adaptation of the incredibly popular mystical novel of the same name by the English writer Marie Corelli, naturally, about a pact with the devil. Much as in real life, a young and penniless writer meets a mysterious prince from Europe...

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September digest: archaeological finds, exhibitions, museums, theatre and the Church

In the finale of the Strugatskys' Roadside Picnic, the Golden Ball is told: "Happiness for everybody, free, and let nobody go away unsatisfied!" I do not promise to offend nobody, but the digest really does come free of charge. So, here is the main business of the

Frederic Leighton

Frederic Leighton. “Daedalus and Icarus”, 1869 Daedalus warns his son not to climb too high: the heat of the sun may melt the wax, but Icarus is already gazing into the distance, and the lamentations of a foolish old man interest him not in the least

The cover of Bauhaus's debut single Bela Lugosi's Dead: a still from the 1926 film The Sorrows of Satan, an adaptation of the incredibly popular mystical novel of the same name by the English writer Marie Corelli, naturally, about a pact with the devil…

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September digest: archaeological finds, exhibitions, museums, theatre and the Church

Frederic Leighton

Attempts to resolve the problems of many years of uncontrolled mass migration

Characters from Gogol's "Petersburg Tales" on the pedestal of the monument to Nikolai Gogol on Nikitsky Boulevard, photograph of the 1960s