Several years ago Vogue Ukraine ran a piece on the celebrated Kyiv artist Nelli Isupova

Several years ago Vogue Ukraine ran a piece on the celebrated Kyiv artist Nelli Isupova. The vivid, instantly recognisable works of this woman, who became one of the centres of cultural life in the Ukrainian capital and stood at the origins of the artistic destiny of Andriivsky Descent, can at last be seen in Moscow, at Rituals, a group exhibition of Ukrainian artists exploring ritual practices and spiritualism, at the Lobby art space on the south side of Gostiny Dvor

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At the close of the Strugatskys' "Roadside Picnic" the Golden Sphere is asked for this: "Happiness for everybody, free, and let nobody go away unsatisfied!" I do not promise to leave no one aggrieved, but the digest really does come free

At the close of the Strugatskys' "Roadside Picnic" the Golden Sphere is asked for this: "Happiness for everybody, free, and let nobody go away unsatisfied!" I do not promise to leave no one aggrieved, but the digest really does come free. So, here is the

Frederic Leighton

Frederic Leighton. “Daedalus and Icarus”, 1869 Daedalus warns his son not to climb too high: the heat of the sun may melt the wax, but Icarus is already gazing into the distance, and the lamentations of a foolish old man interest him not in the least

Several years ago Vogue Ukraine ran a piece on the celebrated Kyiv artist Nelli Isupova

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At the close of the Strugatskys' "Roadside Picnic" the Golden Sphere is asked for this: "Happiness for everybody, free, and let nobody go away unsatisfied!" I do not promise to leave no one aggrieved, but the digest really does come free

Frederic Leighton

Attempts to resolve the problems of many years of uncontrolled mass migration

Characters from Gogol's "Petersburg Tales" on the pedestal of the monument to Nikolai Gogol on Nikitsky Boulevard, photograph of the 1960s