Christie's in London to offer this remarkable Saint Sebastian by the great El Greco, thought to date from 1600, from a private collection

It is, perhaps, the most beautiful of the known portraits of Saint Sebastian created by El Greco.

The saint is shown against an overcast, clouded sky at the moment of revelation, his questioning and submissive gaze turned upwards, his slightly parted lips symbolising divine communion, while the calm of his face shows a humble acceptance of the terrible wounds inflicted upon his earthly body

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At the close of the Strugatskys' "Roadside Picnic" the Golden Sphere is asked for this: "Happiness for everybody, free, and let nobody go away unsatisfied!" I do not promise to leave no one aggrieved, but the digest really does come free

At the close of the Strugatskys' "Roadside Picnic" the Golden Sphere is asked for this: "Happiness for everybody, free, and let nobody go away unsatisfied!" I do not promise to leave no one aggrieved, but the digest really does come free. So, here is the

Frederic Leighton

Frederic Leighton. “Daedalus and Icarus”, 1869 Daedalus warns his son not to climb too high: the heat of the sun may melt the wax, but Icarus is already gazing into the distance, and the lamentations of a foolish old man interest him not in the least

Christie's in London to offer this remarkable Saint Sebastian by the great El Greco, thought to date from 1600, from a private collection

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At the close of the Strugatskys' "Roadside Picnic" the Golden Sphere is asked for this: "Happiness for everybody, free, and let nobody go away unsatisfied!" I do not promise to leave no one aggrieved, but the digest really does come free

Frederic Leighton

Attempts to resolve the problems of many years of uncontrolled mass migration

Characters from Gogol's "Petersburg Tales" on the pedestal of the monument to Nikolai Gogol on Nikitsky Boulevard, photograph of the 1960s