Modigliani in the dining room of the collectors Wendell and Dorothy Cherry in Louisville, and Modigliani in the drawing room of Lyudmila Prokofyevna Kalugina's flat in "Office Romance"

The Cherrys have the 1919 canvas "Jeanne Hébuterne Seated in Front of a Door"; Lyudmila Prokofyevna has "Girl in a Sailor Suit" of 1918.

To be honest, our Modigliani looks even better, without any candelabra or gilding, simply and in a thoroughly modernist spirit

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At the close of the Strugatskys' "Roadside Picnic" the Golden Sphere is asked for this: "Happiness for everybody, free, and let nobody go away unsatisfied!" I do not promise to leave no one aggrieved, but the digest really does come free

At the close of the Strugatskys' "Roadside Picnic" the Golden Sphere is asked for this: "Happiness for everybody, free, and let nobody go away unsatisfied!" I do not promise to leave no one aggrieved, but the digest really does come free. So, here is the

Frederic Leighton

Frederic Leighton. “Daedalus and Icarus”, 1869 Daedalus warns his son not to climb too high: the heat of the sun may melt the wax, but Icarus is already gazing into the distance, and the lamentations of a foolish old man interest him not in the least

Modigliani in the dining room of the collectors Wendell and Dorothy Cherry in Louisville, and Modigliani in the drawing room of Lyudmila Prokofyevna Kalugina's flat in "Office Romance"

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At the close of the Strugatskys' "Roadside Picnic" the Golden Sphere is asked for this: "Happiness for everybody, free, and let nobody go away unsatisfied!" I do not promise to leave no one aggrieved, but the digest really does come free

Frederic Leighton

Attempts to resolve the problems of many years of uncontrolled mass migration

Characters from Gogol's "Petersburg Tales" on the pedestal of the monument to Nikolai Gogol on Nikitsky Boulevard, photograph of the 1960s