The Madonna of Luca della Robbia, to be offered at Sotheby's in early 2021: how she looks now and how she looked before restoration
The pre-sale estimate for the maiolica is impressive, with figures of up to a million dollars being mentioned. That is a good deal for polychrome glazed terracotta of the Quattrocento, but it should be remembered that the work belongs to the master who all but created the style, and this lunette with its devotional subject is, by and large, one of the founding pieces of an entire school. By way of comparison, a similar work by the younger della Robbia, Antonio, sold last year for £150,000 to £300,000, while a bas-relief by Luca and Andrea della Robbia, stolen from San Giovanni Battista in the 1970s, sold in 2011 for $350,000.
But the question is, by and large, not one of money but of the attitude to restoring works in such a state of preservation. The perennial dispute: to conserve or to restore, to retain the marks of age and the traces of an artwork's former life, or to give it the appearance of something new?
