What does the USSR of the late 1980s have in common with (unexpectedly!) French painting? The colour palette: paintings by Henri Matisse and André Derain formed the basis of the colour palette of the Kinopoisk series “Patient Zero”. It turns out that the patterns from Matisse’s canvases fit the setting of “Perestroika” perfectly.
In the finale of the Strugatskys' Roadside Picnic, the Golden Ball is told: "Happiness for everybody, free, and let nobody go away unsatisfied!" I do not promise to offend nobody, but the digest really does come free of charge. So, here is the main business of the
Frederic Leighton. “Daedalus and Icarus”, 1869 Daedalus warns his son not to climb too high: the heat of the sun may melt the wax, but Icarus is already gazing into the distance, and the lamentations of a foolish old man interest him not in the least
