In the Where to Go column: a new selection of exhibitions in Moscow:

📌 Closing soon: the exhibition “The Rules of the Game: How Sport Shaped Culture” at the New Manege, until 4 December

📌 Closing soon: Mikhail Krunov’s exhibition “The Supracultural Absolute, or a Sensory Investigation of Time” at the a—s—t—r—a gallery, until 5 October

📌 The exhibition “From Dawn to Dusk: Byzantine Coins from the Collection of G. A. Shchetinin” at the Pushkin Museum, until 14 December

📌 The exhibition “The Decembrists: People and Destinies” at the State Pushkin Museum, until 10 March

📌 3 December: the opening of Anton Chumak’s exhibition “Metapolis” at MMOMA, until 1 February.

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Madonna with Cherubim in Milan's Brera: from Bellini to Mantegna

"Madonna with Cherubim" was long considered the work of Giovanni Bellini, until in 1885, during restoration, features characteristic of his chief rival, and incidentally his relative, Andrea Mantegna, came to light. What misled viewers was a softness uncharacteristic of Mantegna. Despite the established title, the Madonna and Child

Pushkin Museum refused the Ludwig collection over the branch name

The silliest thing about this renaming is its poor timing. For when the Pushkin Museum was offered, as a gift, the greatest collection of contemporary art of the second half of the twentieth century, the collection of Peter Ludwig, the very reason for the refusal was the condition that the

Yeeeehaw!

Voiture woke Count de Guiche at night to announce that he was married

The Comte de Guiche asked Vincent Voiture, a man renowned for his wit, whether it was true that he was married. Voiture gave no answer. But he came to the count after midnight, woke him and said: "I have come to tell you that I am married". De

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Madonna with Cherubim in Milan's Brera: from Bellini to Mantegna

Pushkin Museum refused the Ludwig collection over the branch name

Yeeeehaw!

Voiture woke Count de Guiche at night to announce that he was married