British artist Eileen Agar's straw hat with Schiaparelli gloves at the exhibition Schiaparelli: Fashion Becomes Art, which opened in March at the V&A

British artist Eileen Agar's straw hat with Schiaparelli gloves at the exhibition Schiaparelli: Fashion Becomes Art, which opened in March at the V&A. Agar attached to the straw hat a pair of gloves with painted red fingernails, as a reference to a Schiaparelli design of 1928. The artist wore this hat to the opening of the Magritte exhibition

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At the close of the Strugatskys' "Roadside Picnic" the Golden Sphere is asked for this: "Happiness for everybody, free, and let nobody go away unsatisfied!" I do not promise to leave no one aggrieved, but the digest really does come free

At the close of the Strugatskys' "Roadside Picnic" the Golden Sphere is asked for this: "Happiness for everybody, free, and let nobody go away unsatisfied!" I do not promise to leave no one aggrieved, but the digest really does come free. So, here is the

Frederic Leighton

Frederic Leighton. “Daedalus and Icarus”, 1869 Daedalus warns his son not to climb too high: the heat of the sun may melt the wax, but Icarus is already gazing into the distance, and the lamentations of a foolish old man interest him not in the least

British artist Eileen Agar's straw hat with Schiaparelli gloves at the exhibition Schiaparelli: Fashion Becomes Art, which opened in March at the V&A

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At the close of the Strugatskys' "Roadside Picnic" the Golden Sphere is asked for this: "Happiness for everybody, free, and let nobody go away unsatisfied!" I do not promise to leave no one aggrieved, but the digest really does come free

Frederic Leighton

Attempts to resolve the problems of many years of uncontrolled mass migration

Characters from Gogol's "Petersburg Tales" on the pedestal of the monument to Nikolai Gogol on Nikitsky Boulevard, photograph of the 1960s